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"Open this door!",

When Mr Lawrence found that nothing he could say, nothing he could implore, nothing he could entreat his companion to forgive, provoked Lucy into looking round from the window through which she gazed at the sea, nor caused her to alter her posture, which curiously suggested with dramatic art that she was alone, that the man was gone, that she was engrossed by thoughts of her own, he withdrew. After closing the door he seemed to hesitate over turning the key, but turned it nevertheless and pocketed it as before.,

"She'll come, you think?",

"It's born under a caul was I," he told them. "An' minny a mystery has been cleared up in ould Ireland be meself, I'm tellin' ye."

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Captain Acton listened to her with profound interest. He was greatly impressed and moved by his daughter's exhibition of traditionary genius. She recalled his wife, of whom he was passionately proud and fond. He had never imagined that Lucy had the[Pg 372] talent of an actress, but the dramatic character of her narrative and every point in her extraordinary relation convinced him that she was a born artist, and that accident had compelled her to reveal to herself gifts of power, perception, and imagination of whose existence she had been as ignorant as her father.,

"Then Jim he begged him not to do that. 'We'll pay you whatever's right fer your horse, sir,' he says, but Johnston jest snorted. 'Where would you get fifty dollars!' he says, but Jim, he nudged me to keep quiet, an' said: 'I've got fifty dollars of my very own, right here, sir. We'll buy your horse an' take chances on findin' him, if you'll sell him to us.',

"You bet," Maurice managed to answer.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.